CONTAINS YADA YADA YADA
"Olaf Ittenbach, the Master Of Gore, is back with his New Masterpiece Of Terror!" So declaims the trailer for this 2012 offering from Germany's King Of Splatter. This is very much Ein Film Von Olaf Ittenbach and if you've seen any of his other stuff (admittedly I've only seen two, Beyond The Limits and Garden Of Love) you kind of know exactly what you're going to get. Terrible acting, nonsensical story, uninteresting visuals, but every ten minutes there's an eruption of excessive gore as someone gets bloodily slaughtered, frequently with red spurts hitting the camera lens.
The babbling nonsense this time around seems to revolve around an amulet that can open the portal to Hell, which has been lost and found at various times throughout history and those who discovered it ended up on a mythical medieval astral plane where they have to get to the fabled city of the dead (which actually looks like 21st century downtown America so he can put in some chainsaws and blow up some cars with a grenade launcher) to confront The Evil One. On their quest they are set upon by assorted gribbly monsters, minions and zombies and they have to slaughter them in as graphic a manner as possible.
That's kind of it for a plot, and to be honest we're not interested in it any more than Ittenbach is. It's just a thread on which to hang a string of crowd-pleasing gory money shots, usually involving slit throats and severed heads and that's what Ittenbach really wants to do; the story is just the means to an end. Outside of the enthusiastic splat, which is all the film has going for it, Legend Of Hell isn't remotely interesting: the dialogue and performances are absolutely awful (possibly but not entirely due to being in English), there are several moments of absolute deafening stupidity, and it doesn't even look good. It's not quite boring enough to be beyond dismal, but I am not going out of my way to seek out any more of Ittenbach's films.
**
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