Saturday 31 October 2020

BUTCHERS

CONTAINS THE SAME OLD SPOILERS AGAIN. AGAIN. AGAIN.

Incredibly, we're already back in Texas Chain Saw Massacre territory. If it only seems like a week since I was doing the same old routine with the not-awful Argentinian horror What The Waters Left Behind, that's because it was - and here we are yet again. To be strictly fair, we're actually doing Wrong Turn again, but Wrong Turn was basically riffing on TCSM's demented backwoods psycho theme - stranded motorists meet up with homicidal lunatics, hilarity ensues - and this particular cover version doesn't change that much of the tune.

Butchers sets its stall out very early, with a car breaking down on a lonely road and the two titular maniacs killing the driver and abducting his girlfriend for mercifully unseen horrors. Months later, another car breaks down in the same spot, and the two couples split up to wait with the car or walk on to the nearest garage (as per TCSM, it's absolutely no surprise to discover that the gas station attendant is Not To Be Trusted); neither course of action ends well. Inevitably, the girls are chased and caught by the bickering redneck brothers, they effect an escape and are promptly recaptured, drugged, chained up and abused...

It's slightly hampered by the fact that the two girls look similar, and the two guys look similar as well, and it's not as if we're given a huge amount of reason to care that much about them: it's a sleazy and nasty exploitation movie with a thick streak of irrational brutality and tastelessness. In the plus column, the film looks terrific, with the period (unspecified, but clearly somewhere in the 1970s) nicely evoked, not just by the cars and costumes but by someone going to a lot of trouble to give it that 1970s look with the lighting and cinematography. Is that enough? In the end it kind of gets by: it's certainly not a masterpiece and has very little depth, but that's not what it's aiming for. On its chosen level of grindhouse throwback schlock, it's decent enough.

***

No comments: