CONTAINS SOME SPOILERS AND I'M SORRY BUT I JUST DON'T GET IT
It's a peculiar thing to have done in 2013: to make a film that looks and sounds and feels exactly like a movie from the mid-1980s. This kind of nostalgic retro pastiche can work: I still like and defend Death Proof in its evocation of the spirit of grindhouse, even though it's thirty minutes too long and the dialogue is far too obviously Tarantino-speak, Robert Rodriguez' Machete movies are enjoyable enough nonsense though too highly-budgeted for the kind of trashy exploitation it's celebrating, and Ti West's The House Of The Devil is a marvellously detailed recreation of 70s TV-movie which works beautifully as a horror film in its own right. Against that, something like Anna Biller's Viva manages to bring the horrid fashions, decor and attitudes of the 1970s to life, but it doesn't make it as an interesting film, and something like The Disco Exorcist is not just best left unmentioned but unwatched (if not unmade).
Wolfcop look like precisely the kind of thing that you'd have found on the rental shelves from Guild or Medusa in about 1987, an old-fashioned werewolf movie with rubbery gore effects, a high level of silliness and a low level of ambition. In fact, if they'd told you it was a long-forgotten and recently discovered entry in the largely unconnected Howling franchise, it wouldn't come as much of a surprise. Lou Garou (the film's only real joke, which doesn't make sense anyway) is a small-town deputy sheriff who mysteriously hasn't been fired for drunkenness or incompetence: one night, when out actually doing his job, he's attacked and subsequently becomes a werewolf. And then people start dying bloodily.... Might it have something to do with the death of Garou's father many years ago?
Why bother? Why go to all the trouble of deliberately crafting a movie to look exactly like something you wouldn't have been overly impressed by thirty years ago? It's not like they were aiming high and missed: recreating the feel of a rubbish horror video from the last century isn't by itself enough, and consciously designed cult movies never work. I wouldn't mind the 80s ambience if, as with House Of The Devil, the end result had been a decent movie in its own right. Sure it's not completely worthless, and it's nice to see werewolf transformations and gory splatter sequences using old-fashioned prosthetic effects work instead of clean but unconvincing CGI, but if it's a spoof it's not funny (it's not that I don't get the jokes, it's that I don't think there are very many in there) and if it's a straight horror it's certainly not scary. Either way, the prospect of a Wolfcop 2 as promised at the end isn't an exciting one.